Poor Man's 200mm f/2

Interesting quote from Thom Hogan regarding the newly announced Nikon 85mm f/1.8 lens:

That said, I'll go out on a limb here: the 85mm f/1.8 G will be a huge seller. Not to D4 users. Not to D800 users. Not to D400 users. Not to existing Nikon DSLR users. Nope, it will turn out to be the lens of choice for Nikon 1 users. At 230mm equivalent, f/1.8, and relatively compact on a Nikon V1 body, it becomes the poor man's 200mm f/2. What soccer mom/sports dad wouldn't like one of those?

Great observation, although I'm not sure how many of the "target market" Nikon has in mind for the 1-series would think to buy the FT-1 adapter and an F-mount 85mm lens for that shooting situation. Most "consumer"-level people I know wouldn't even consider a prime lens; they all view the practicality of zooms as important, and value wide focal ranges. Most don't understand drastic the difference of a maximum aperture between f/1.8 and f/5.6.

If you think that soccer parents would be well-served by a "poor man's 200 f/2", just imagine how many basketball/volleyball/other indoor sports parents would. It would probably revolutionize photography for them. That said, $500 (lens) + $260 (FT-1) would be out of many budgets. Still, it's a great thing to think about. And what a tiny package for such speed and reach!

The 85mm f/1.8 is a lens I'm going to keep a close eye on. I've longed for the 1.4, but can't bring myself to spend that kind of dough right now. The 1.8 is something I'd definitely consider, if the results it gives look as good as I expect they will. Having it serve double-duty on the V1 would be icing on the cake, but very tasty icing indeed.

Interesting Photography Links

Fuji X-Pro1 AF Not Good?

It's from someone-who-knows-someone, but Steve Huff has an interesting note on his blog about the upcoming X-Pro1's autofocus:

The X-Pro 1..well, I think it will be fantastic but I did get an early e-mail report from someone who has been using one for a little while and it was not the greatest report. I will not post details here because I have no images and can not disclose who this is so it is really pointless. I heard things about the AF being slow, especially when light gets low, lenses being metal on the inside and plasticky on the outside, manual focus NOT good, not so hot battery life and the 2nd gen EVF being average.

I normally wouldn't post a link to something like that, but Steve Huff's site has been good and I'm inclined to believe that Fuji can't have solved all of the issues with the X100's autofocus this quickly. Hopefully Fuji keeps iterating and improving. There's no doubt that they're making some of the more interesting cameras out there right now.

Fuji X-Pro1 Lens and Accessories

Speaking of the X-Pro1 (what a terrible product name), TechRadar has the scoop on Fuji's plans for lenses and accessories for the system. a 23mm f/2 sounds good (although faster is always better), while a 70-200mm f/4 sounds interesting and unexpected. Good stuff.

Nikon 1 V1 Underwater Housing

An expensive underwater housing for the Nikon 1 V1 isn't something I'd invest in, but I think it's awesome that such a thing is coming out for the V1 so quickly. Supports the Speedlight SB-N5 too...cool!

More on the Nikon 1 V1

According to my receipt, I'm coming up on owning the Nikon 1 V1 for one month, and according to my Lightroom catalog, I'm approaching 2000 images shot with it. I thought that made now as good a time as any to expand on my first impressions. (By the way, I've added this and other posts to the bottom of that original post, so if you're interested in reading more, check that out.)

Tree at Water Dog (LR 4 Beta Version)

What's Good?

The Autofocus

The autofocus continues to amaze me, and even though I praised it early on, I have to reiterate it here. I typically use only the center focus point, but allow face detection to override it. This makes shooting the kid easy-peasy. If she's running around, I turn on focus tracking, which works better on this camera than many others I've played with that are much more expensive. I'm not exaggerating when I say that this camera's AF system performs almost as well as the D700s, and that camera's AF is excellent. It is slower in low-light, but it's still good.

I was particularly impressed when mounting F-mount lenses on the Nikon 1: It focuses very well with them, except that it can't do AF-C. I also played quite a bit with manually focusing F-mount lenses on the 1, and I'm pleased with how easy it is to focus with the EVF. Manually focusing in dim light is one time when an EVF is actually superior to an OVF, since the EVF is brightened for you. The EVF is sharp enough that I was able to keep critical focus on subjects moving moderately (i.e., not running).

Metering and File Headroom

I'll combine these together since I mentioned that I thought the metering was great last post. To elaborate further, I find that the V1 does a very nice job in high-contrast situations, keeping highlights under control and getting a good-looking histogram from the camera is easy (if only I could see it live!). Furthermore, I'm impressed with the RAW files the V1 turns out; they have plenty of headroom in the highlights to recover any that do go over the edge. Post-processing Nikon 1 files has been a joy in Lightroom 3.6, and I'm expecting even more from the newly released Lightroom 4 beta.

Fit, Finish, and Feel

Some out there don't like the feel or the form factor. I personally find the V1 to be an attractive, understated design. The size and weight are spot-on, and it doesn't feel at all toy-like to me. It feels like a quality tool. The EVF really comes in to play here, because keeping the camera up to my face really adds to the "real camera" feel for me. Moving from my eye and away to review images and back is natural, and while I'd like the eye sensor to switch a little more quickly, I can't really complain.

Speaking of the menus, I want to double down on my first impressions that the camera is fast from an operational point-of-view. You know that LCD menu feel? Where you're scrolling among items, and the menu shows you what's selected by reversing the text and its background color, but it's just a bit slow and you can kind of see it drawing the screen while scrolling? The Nikon doesn't feel that way at all; it's fast and fluid, and never feels like it's lagging behind your choices. It's very nice.

It's Quiet

Even using the mechanical shutter, this is a quiet camera. AF is silent, and the shutter is a slight "snick". If you switch to the electronic shutter and turn off the sounds, it's absolutely silent. It's the quietest camera I've ever used in this mode. On top of that, it can be blazing fast in this mode, and your subject won't even know you just shot them at 10 FPS! Wonderful.

What's Not So Good?

There are some frustrating things about this camera, and it seems like Nikon can fix them with firmware updates. I'd say Nikon hasn't been good with that in the past, so we'll see if they're going to try and iterate on the Nikon 1 line differently than they do their SLR line. None have been deal-breakers for me, but here are the headliners:

Auto ISO

Auto ISO has a few problems. First, it tends to pick too slow a shutter speed in favor of keeping ISO low. Subject blur is way worse in my book than noise is, and I really want to be able to specify more about how I want the camera to behave with regard to minimum shutter speed. Of course, I can go into shutter-priority mode, but I want Auto ISO to handle that with a few parameters I set and allow me to remain in other shooting modes, as the situation warrants on a creative basis.

Auto ISO also needs to show me in real-time what it's set to. Right now, it shows its maximum possible ISO. For instance, if I'm using Auto 3200, meaning the camera can go as high as ISO 3200 if it needs to, it shows "3200" to me while shooting, even if it's selected ISO 100 because I'm shooting in daylight. I want to know where it is in the situation I'm in. Lastly, I can set Auto ISO to several maximum levels, but it skips 1600, which is one I want to use fairly often, as it tends to be about where my tolerance is for noise in most situations. Grrr.

Image Review

I mentioned this before, but it bears repeating: you can't turn off image review. I don't always want to see what I just shot, especially when I want to keep shooting immediately. Simply half-pressing the shutter doesn't get rid of the review, either; you have to wait it out. This one is particularly aggravating, but I find I'm getting more used to it. If I could prioritize changes for a firmware update, this would probably be number one.

Physical Controls

As most reviews have pointed out, the camera could really do with some more essential physical controls. The mode dial it does have is useless to me, and it does get knocked into other modes when pocketing or bagging the camera, which causes a couple of seconds of confusion every once in a while. It's easy to get to exposure compensation, AF mode and a couple of others. But ISO should be a single button away, as should shooting mode (PASM). There are a couple of items that have physical shortcuts that should be swapped out in my mind with more important functions such as these (shutter type and self-timer, for instance).

I'm Keeping It

I bought and returned a Fuji X100 late last year, and bought the V1 not half expecting it to be another disappointment. I've been interested in replacing the Panasonic GF1 I've been using for the past couple of years, and I've now firmly decided that I'm keeping the V1. Since the original purchase, I've purchased most of the available major accessories for the camera, and think the system so far is a blast. The camera is fun, encourages playful shooting and really allows you to get into the moment, which has been a real problem with the other small cameras I've used. I'm delighted to say that I'm really enjoying the V1 far more than I expected to.

My Reaction To Trey Ratcliff's "DSLRs Are A Dying Breed"

If you haven't read Trey Ratcliff's post, "DSLRs Are A Dying Breed--3rd Gen Cameras Are The Future", you should either do so now or skip this post. I've had several friends and colleagues ask for my reaction to Trey's post, since I'm the local photography nerd they know, so I thought I'd write down my thoughts and point people here.

The short version of my response is that Trey isn't really saying anything surprising or new, as far as I can tell. There's plenty to take issue with if you get into the details of the post, but the idea that cameras are getting better, smaller and faster than previous models and designs is completely obvious to anyone who's paid even moderate attention to the field. Perhaps unsurprisingly then, my reaction consists of points that are also not new. (Main points in bold below for the tl;dr crowd.)

New Nikon

Whither DSLRs?

I think that a lot of the internet has gotten wrapped up in the specific statement that DSLRs are dying. First off, this is a classic attention-getter. I mean how many "xxx is dead" posts are we going to react to in this way before we learn? I suppose the answer is, "a lot more", since they always seem to work people up.

There's nothing magic about the form factor or technology of DSLRs in particular. Whether you focus on the mirror that reflects the view of the subject through a finder or CMOS/CCD as sensing technology, or any of a hundred other current solutions to capturing images, it's all up for grabs in the near future. Take not only the current trend of small, mirrorless cameras, but also things on the cutting edge like the Lytro. Cameras as a whole are evolving faster now than they have in the previous few decades combined, and nothing is sacred in the medium term.

DSLRs are the evolution of SLRs from the film days. Film photographers yearned for digital cameras that worked and behaved like what they were used to, and as the incumbent market for high-end cameras, that's what the manufacturers made. We've seen this form factor stretched to, and beyond, its limits in recent years. You only have to look at the crazy rigs people are coming up with to shoot pro-level video with DSLRs to realize this.

Trey's post and the video embedded therein make the point that the industry has been moving towards solid-state image capture for a long time, and there's no reason to argue this point. Mechanical shutter wear has long been one differentiator between a consumer- and a pro-level camera. Fewer moving parts means, at a minimum, higher reliability (user serviceability be damned).

So What's The Fuss?

Well, like I said, the internet loves a good "xxx is dead" post. And Trey did say some things that it's easy to get stuck on. Characterizing the current crop of mirrorless cameras as "3rd gen" cameras is a good example. There are many ways to characterize "generations" of cameras, and "3rd" doesn't seem to be a particularly good or descriptive one to me. I don't have a better one, but I also don't think one is needed unless you're looking for an argument. I mean, just look at everyone trying to find a broad yet descriptive way to talk about cameras like the Nikon 1 or Micro Four-Thirds formats: EVIL, ILC, MILC, etc. None are particularly good, but they're what we have so far.

The other point, perhaps one of the main points of the post, is that Trey isn't going to invest in DSLRs or related equipment anymore, and goes far enough to suggest that the reader might be smart to stop the same. I think that really depends on who you are, of course. If you've got a large investment in expensive, high-quality Nikon or Canon or whatever glass that mounts on an SLR, should you not get a Nikon D4 if your work justifies the cost simply because there's a new class of camera in town? Of course not.

Trey follows up his post with reactions and this point: "If you (gentle reader) agree that you won’t be using a mechanical mirror-flipping device in the future, then we are in agreement. We may disagree on the rate-of-death – but that is all." There we are. I agree that technology is moving forward quickly, but disagree, as he suggests anyone might, with the notion that DSLRs will be dead, or even largely dead, in five years, but time will obviously tell.

Cameras today are more like computers, and our consumption of them has changed to more closely resemble how we buy computers. No longer does someone buy a digital camera and really expect to be using it for more than a handful of years, at most. Compare that to classic film cameras, which are in some cases, still highly-sought after 50 years after they were new. One rule I follow when someone asks me about whether they should buy a new computer, whatever model it might be, or wait for the next great thing that's surely around the corner, is to tell them that they're better off buying what they need now. It's just too hard to predict what will or won't happen, so plan for now. I think cameras have been heading that way for awhile, and barring a photography show like Photokina being around the corner, I give mostly the same advice for people asking my opinion about purchasing one versus waiting. Buy what you need now, and start making images.

Would I suggest someone new to the field invest in a DSLR? I'd have to drill down further. Are they serious about photography? Do they have the budget/stomach for things to change drastically in the next 5-10 years? What kind of shooting are they looking to do. In my opinion, there are plenty of combinations of questions and answers that still lead to a "yes, you should invest in a DSLR-based system" for now.

Nikon 1 V1

As I'm sure anyone who knows me already knows, I shoot with a DSLR, but have been a big fan of compact cameras for some time, having owned several Canon G-series cameras, Micro Four-Thirds cameras, and most recently the Nikon V1. I think that there's room for both in the bags of any photographer who wants to always have a camera on him, but also wants the best tool for the job.

That's what this comes down to, as many debates in photography around format or brand do: Cameras are tools. Pick the ones that do the job you need done best. If that's a DSLR, I think they'll still be around for quite some time. And even if they aren't, the image they create is what matters, and as long as your new Nikon D4 is making the images you want, more power to you.

Lightroom 4 Beta Released!

Woohoo! It's still downloading, but I'm looking forward to getting my hands on the new Lightroom 4 beta. We finally get soft-proofing! There are other things that sounds great, like "location-based organization" for cameras with GPS capabilities. Like my Nikon V1 with the GP-N100, perhaps? :)

Fuji X-Pro1 Pics

The Verge has some nice pics of the new Fuji X-Pro1 camera I mentioned in my last post. That camera looks sweet. The picture of the back has me worried though; that "Macro" button on the dial makes me think that it'll have a special mode for close-focused pictures like the X100 does. "Macro" evokes visions of shooting small things close-up, whereas the X100 needed to be in that mode frequently, even when shooting everyday family pictures. I hope they've fixed that.

CES Brings New Cameras

As expected, CES has brought quite a few new camera announcements. Two small cameras, are of interest to me in particular, especially since I recently bought the Nikon V1: Canon's new mirrorless camera, the PowerShot G1 X, and Fuji's interchangeable lens follow-on to the X100, the X-Pro1.

The PowerShot G1 X looks to be an evolution of the G-series with one very important change: the sensor size, which is now just shy of APS-C size. The G-series cameras have always had nice image quality, despite their small sensors. I've owned several of the G1 X's predecessors, before switching to the Panasonic GF1 when it was released.

When I saw the headline announcing that the newly redesigned PowerShot was going to have a much bigger sensor, I thought briefly that I was going to regret the V1. Then I looked at a picture of the G1 X and knew that I wouldn't; its viewfinder is the same kind of tiny optical finder that was so terrible on the previous G cameras. Too bad, because Canon could be the one to rock the enthusiast small camera market if they tried. But I won't buy another camera without a first-class viewfinder. I'm sure it'll make lovely images, though.

The Fuji looks much more promising. I loved the feel of the X100 when I briefly had one, and the X-Pro1 looks like it could be great too. The lenses look like what I'd hope for, especially the 35mm f/1.4. The hybrid viewfinder on the X100 was wonderful, and hopefully a year brings even more refinement to this part of the new camera. But I can't bring myself to pre-order the beast, since I just don't trust Fuji to have re-done the autofocus system into something great so quickly.

There were two big issues I had with the X100: AF was slow and inaccurate, and it had two modes, one for close-range and one for farther out. It wasn't super simple to switch between those two modes, and it was constantly necessary, in my experience. It was hard to tell, when I was on the cusp of having to switch to close-focus mode, when I'd have to switch or if the camera was just having its normal difficulties focusing. Hopefully Fuji have made strides in the department, but to have completely gone from the buggy, hard-to-use AF of the X100 to something as seamless as the V1's AF in one year would be near-miraculous. Maybe they have and I'll wish pre-ordered one, but I just can't.

On the big camera front, Nikon introduced the D4, which looks like the rightful heir to the top-of-the-line pro camera line-up. At $6k, I'm not in the market, but it sure does look pretty nice, especially for pros who are doing serious video work; it's nice to see Nikon not let Canon run away here. But in my case, I don't care about video in my DSLR. I'd rather keep the innovation on the still camera side of the equation, and that seems relatively stagnant where Nikon and Canon are concerned. Fine with me. I don't want to feel like I need to spend that kind of money anyway.

Nikon also introduced the 85mm f/1.8 lens, which might just find its way into my bag. I've never been able to justify the cost of the f/1.4 model, but this cheaper addition might just be the ticket. I'll wait and see what the images it produces look like before deciding if I need another lens for the big camera.

Nikon 1 Accessories

I was really intrigued by the accessories that Nikon showed off at the introduction of the Nikon 1-series. They released several of them at or near the launch of the cameras, and I've acquired a few: the SB-N5 Speedlight, the GP-N100 GPS unit, and the FT-1 mount adapter. They really add quite a lot of fun to the camera.

SB-N5 Speedlight

The SB-N5 is a really, really tiny speedlight, with a head that swivels 360° around and also 90° up. This allows for bouncing the flash off of ceilings and walls in order to make more natural looking flash-lit pictures. The flash is powered from the camera itself, which helped keep the unit so small, and it makes the combined camera and flash light. Like most of the Nikon 1 line, it's expensive for what it is, but I've had a blast with it.

I spent some of the holiday season with my family and friends, and had many occasions to use the V1 with the SB-N5 attached. Bounced, it really helps offset the dreadfully slow lenses in darker indoor settings, and I was pleased with the results I was seeing. One location, was particularly large and dark on one side of the room and brightly window lit on the other, and I wanted to use off-camera flashes to help light the environment. I had two Nikon SB-900 speedlights with me, so this should have been no problem.

Christmas Eve Dinner

The SB-N5, unfortunately, isn't compatible with Nikon's Creative Lighting System (CLS), which allows a camera to control the settings of remote flashes and trigger them (called "acting as a Commander" in CLS parlance). This is really too bad, since this feature would really have made the SB-N5 worth the $150. Maybe they'll release a separate Commander unit, although I doubt it, given the limitations they've imposed on these cameras to appeal to a certain market. In any case, I set up the SB-900s in "SU-4" mode, which enables them to be triggered by any other flash, the SB-N5 included. This, of course, precluded using TTL flash for the 900s, but that worked out fine. Check out some of the images here.

One negative I'd note is that metering with the SB-N5 directly lighting a subject tends to overexpose. TTL should ensure a decent exposure, even if on-camera flash is usually harsh and unforgiving. I found that the V1 usually hit the subject with far too much light, blowing out the subject when I tried this. Luckily, I don't shoot this way often, and I'll certainly avoid it even more knowing this. The V1 does allow for flash exposure compensation to be dialed in, something that was a pleasant surprise given how Nikon chose to keep most controls that an "enthusiast" would want to a minimum. I'll take what I can get though! It was pretty easy to dial in -1.7 stops or so and use the SB-N5 as a fill flash.

Overall, the SB-N5 is a good addition to the Nikon 1 lineup, and I'm glad to have it. I'm very happy that it's a separate, more capable unit compared to whatever they might have done to cram a flash in to the V1's body. It's not a powerful flash unit, but it's better than built-in, and the ability to bounce is greatly appreciated.

GP-N100 GPS Unit

The GP-N100 adds what I wish was built-in to the V1 (and every other camera from here on out, for that matter): a GPS receiver. When attached to the accessory port on the V1, the camera adds GPS information about the location of each shot to the EXIF data for that image. This is fun and just plain useful. Given that they can cram such a thing into just about every phone made, it feels usurious to have to have the relatively big, expensive unit glommed on to the outside of the camera. That said, it's worth it to me for this camera, since it's my walkaround camera and the one in intend to take mountain biking with me most often. My current process of using a Lightroom plugin to match up my GPS track from the bike to the camera using timestamp information feels like a painful hack.

The unit takes a few seconds to lock on to the GPS signal when the camera is first powered up and it keeps track of where you are for up to three hours after the camera is powered down, as long as it stays on the camera; like the other accessories, it's powered by the camera and doesn't have its own batteries. Its "interface" consists of a light that blinks red when it's trying to obtain a lock, and green when it has one. There is also a "GPS" indicator on the LCD/viewfinder when it has a lock. Easy.

FT-1 Mount Adapter

I've saved perhaps the best for last. This small, light adapter allows certain Nikon F-mount lenses to be mounted on the 1-series cameras. When attached, most things work: AF-S lenses can autofocus, VR works, and the camera can use whatever data the lens sends to it. Some lenses can work on the camera, but only in manual focus. There are some limitations, such as only being able to use the center focus point, but there's only one I really find disappointing: the camera can only focus in AF-S. That means no tracking of moving subjects. I'm not sure what the reason is for this limitation, but I really hope they find a way to remove it. There was a new firmware update for the camera to enable the use of the FT-1, and I hope that a future update will enable AF-C continuous focus.

In any case, mounting high-quality optics really shows what this camera will be capable of when the lens line-up matures. Mounting sharp lenses like the 50mm f/1.4 or the 28-70mm f/2.8 really shows off the V1's speed. It's truly impressive to get the 70-200mm f/2.8 on there and see the V1 drive it super-quickly and have the VR do such a wonderful job. I even tested my Zeiss ZF 35mm f/2 and it worked well. In fact, it's actually easier to manual focus indoors on the V1 than on my D700 because the electronic viewfinder on the V1 is brightened up beyond room brightness. When a manual focus lens like the Zeiss is mounted, or manual focus mode on G-series lenses is enabled, hitting the "OK" button zooms the screen or EVF in to assist in focusing, but I found that the EVF was sharp enough that I could manually focus well. That's a big win over the Panasonic GF-1 I used prior to owning the V1; I could never effectively focus that damn thing manually with that viewfinder. The only "lens" I have that didn't really work is the original Lensbaby. That wouldn't make too much sense on the V1 anyway, since taking only the center of the image circle reduces the effect the Lensbaby gives too much anyway.

More to come...

Nikon showed a lot of other accessories and lenses that they've got planned, like a macro light and a video accessory kit. I've got the remote control on its way, and I'm sure I'll pick up other interesting accessories as they are introduced. Fun stuff!

New Year's Photo Projects

I really enjoy photography, but am as inconsistent about practicing it as I am with maintaining this blog, which is to say, spotty at best. I love shooting, but am terrible at following up with the post-processing and sharing of the resulting images. I'm also a gadget geek, so I love getting new photo equipment, so either the lust for a new piece of kit fires me up to take more photos, or vice-versa. Either way, I'm in one of those periods now. I got a new Nikon V1 a few days ago, and it's been my current muse. I decided to shoot only with it over the holidays, and have now made more than 1500 images with it, mostly family snapshots. In any case, I'm shooting.

I've been thinking of doing a photo project of some sort, but I've been uncertain as to the form that would take. I'm of the mind that self-made projects can be fun, but I know I lack the drive to really tackle something like a 365-day project like is popular on sites like Flickr. (Not to mention that this year would be a 366-day project, since it's a leap year.) I'd also like my project to involve the presentation side of photography in some way, and there's really no way I'm going to process, upload and/or print photos every day.

What I think I've settled on is this: I'm going to attempt do two projects. The first is a 52-week project--a photo a week; I think that I can manage to keep that pace. Whether or not they'll be terribly good or interesting photos remains to be seen. In any case, there it is, simple enough. Here's a photo I made today, with some new toys I bought over the holidays:

Ainsley

The second project will be to make at least one print per month. It might be one of the pictures from the 52-week project, but I won't limit myself to that. I do have a backlog of slides and negatives that I'd like to get to scanning, and perhaps one of those, or another image I've taken, will strike my fancy. I miss the black-and-white darkroom, but there's no getting around the fact that digital imaging is better than anything I was ever able to accomplish in the darkroom. I enjoy producing a good print, and I'm hoping this project might rekindle that passion.

I'm also planning on exploring matting and framing during this exercise. I'll probably adorn my offices at home and work with some of the resulting prints, and if my wife likes any of them well enough, maybe I'll even hang some in my home. We'll see where this all goes. Who knows, maybe I'll even do a better job of posting here, with images from and updates on these projects as material. ;)

The Nikon V1

Nikon 1 V1

This is the first in a series of posts about the Nikon V1. See the bottom of this post for links to more articles about the V1.

Like a lot of people, I was disappointed when the Nikon 1-series was announced. The cause of my deflation was the size of the new camera's sensor; the new “CX” format seemed to be a clear step in the wrong direction.

Given the heat in the small mirrorless camera space, I figured that I'd just wait for the next thing to come along. I’d already bought and returned the camera in this space the Internet seemed to rave over: the Fuji X100. While its viewfinder was great--and a good viewfinder is now a requirement for any new small camera I purchase--the autofocus leaned just too far on the “miss” side of hit-and-miss for me, the father of a three-year-old. Not to mention that I do want my “small” camera to be at least reasonably capable on a mountain bike ride.

Still, I read reviews of the Nikon 1--the larger, more capable V1 in particular--that said a few intriguing things. First was that the image quality was better than one would think such a small sensor capable of. Second, that the autofocus and metering were top-notch (see above for why that's high on my list). Those things, plus some other things like a bevy of interesting accessories (a small GPS module; a tiny Speedlight; an adapter to mount Nikkor lenses), a solid build and a good viewfinder, had me thinking this might be worth checking out.

So I ordered one. I got the V1 kit with the standard lens, a 10-30mm unit with a typical slow speed. The kit I ordered also included the lens I was really interested in, the 10mm f/2.8 pancake. I'm going to break my impressions of the camera down and make several posts about it, mostly so this doesn't become a book-length post that I never finish or publish.

Some items that may or may not be interesting in the way of context, other than what I've already laid out, in no specific order:

  • I'm a Nikon shooter. My main camera is a D700 with some great Nikkor glass that I adore. I've shot Nikon since college, but started with Minolta and had a 2-year-long dalliance with Canon, when I was disillusioned with Nikon's slow pace making good digital cameras. So, I'm a Nikon guy, but my allegiance is not unshakable, nor is it paid-for; I buy everything I play with.
  • My current small camera is a Panasonic GF1, and the only lens I have for it is the wonderful 20mm f/1.7 pancake. It's a great setup, save for the fact that I end up shooting it with the camera out in front of me, which I hate. I have the optional viewfinder, but it's just not good enough, now that there are better options on the market. After buying this camera, I swore I'd not buy another without a good viewfinder.
  • Mountain biking affords plenty of action opportunities, but even more nature shots. I want my small camera to react quickly but to also be capable of capturing a beautiful vista with high-quality. I've recently taken to printing my photos again, so I'm interested in resolution for that purpose. That said, I've made some great prints of images from my 8 MP Canon camera and also from my GF1, so I'm perfectly happy with lower resolution as long as the pixels are quality pixels.
  • I want a camera that I can carry everywhere, or at least almost everywhere. That's why I don't just use my D700 for everything.
  • Low-light performance is important, but if I can get good ISO 1600, I'm set. I can probably live with good 800 and passable 1600, based on my time with the Panasonic. Noise-reduction software is good enough that I'm willing to lean on it if necessary. Of course, I'd love to have it all....

Alright, enough of that. On to some first impressions:

The V1 feels good in the hand, right out of the box. It's small, but not crazy small. It fits my hands well enough, although a grip of some sort would be welcome; I had the same feeling about the GF1. Still, the V1 feels good. It uses a surprisingly big battery; I'd guess it's 1/4 or more of the camera's interior space, and it lends considerably to the weight of the whole package. It's supposed to provide 400-or-so shots-per-charge, which I've found to be reasonable, if not on the low side. (I've done better than that on average over more than a week of shooting.)

The lenses are tiny. Most reviews I've read make the point that they're not that much smaller than Micro Four-Thirds lenses, but they seem smaller and lighter to me in general. I only have the 20mm Panny in the M43 mount, and it's a small lens for sure. But the Nikkors seem both lighter and smaller in the hand. They're plastic, but have metal mounts, and are not at all cheap feeling. The zoom has VR as well, but really needs it, being a slow lens.

The viewfinder is good. I'd say that its quality is up there with the best in the field, although I've only tried most of the competition for a short time in the store. The Sony NEX accessory viewfinder has more resolution, but doesn't really have much of an overall edge. The Olympus PEN E-P3's external unit is probably better quality, but it is huge and doesn't have the eye sensor that switches to the viewfinder automatically when you pull the camera to the eye like the Nikon, so I'm hesitant to call it better overall. The Fuji X100's killer OVF/EVF combo is the clear market leader here. I'd say that the important point is that it feels natural to pick the V1 up to my eye and shoot, which I can't say about a lot of small cameras I've used, and that's a huge, huge selling point for me. This camera feels natural in the hands and at the eye.

The autofocus and metering are as excellent as I'd read. The V1 has no problem keeping up with my three-year-old, who never seems to stop moving and definitely doesn't when she knows I want a picture of her. I haven't gotten out for any action shots of bikes yet, though. I'd say that in good light, the V1 doesn't seems that far behind my D700, and that's saying a lot. It's clearly better at autofocusing in good light than any other small camera I've tried, including the current Panasonic, Olympus and Sony models. Once the light gets dim, I'd say it's still better than those, but not by nearly as much. Overall, I get an excellent rate of “keepers” from the V1’s AF system, based on the subject being in focus.

One major annoyance that is immediately apparent is that you can't turn off image review after shooting a picture. I'm really, really hoping for a firmware update that fixes this, because it does hamper tracking a moving subject while shooting.

I've ruled out several small cameras before the V1, for various reasons, including: the Fuji X100 and its smaller sibling the X10; the Panasonic G3; the Sony NEX-5; the Olympus PEN E-P3. I've been looking forward to the Sony NEX-7, which I think might be the only contender left at the moment, based purely on previews on the Internet since no store near me has one, nor does anyone I know. I'm intrigued by the huge sensor and available quality optics, like the 24mm Zeiss. I'm put off by reports of lackluster AF and the overall size of the package with a lens attached. But I need to get my hands on one to make a real decision.

I've been shooting a lot with the V1 in the last week. I'll post images and more thoughts in the coming days. Let me know if there's some aspect of the camera or system you're particularly interested in.

More Posts on the V1

More on Steve Jobs

The outpouring of stories and reactions to Steve Jobs' death has been pretty amazing, in my opinion. There have been a few stand-outs that I want to share. One funny thing about a lot of them, and my own post on the matter, is how many of them have a disclaimer that they didn't know Jobs, and most hadn't even ever met him. Amazing that so many would have such strong reactions to the passing of a man they had so little actual connection with. In any case, I can relate.

Tim Berners-Lee, one of the people who created the technologies that made the internet possible, has a fitting story. Basically, he wrote the first web browser, WorldWideWeb, and the first web server, CERN httpd, on a NeXT machine. The NeXTStep OS on that machine is a predecessor to modern Mac OS X, of course.

Stephen Colbert's tribute on his show, The Colbert Report, was particularly touching in that it was touching, funny and sad, all in the same three-plus minutes.

The Colbert Report Get More: Colbert Report Full Episodes,Political Humor & Satire Blog,Video Archive

The Online Photographer has a good set of links for those interested in further reading.

Perhaps the most fascinating to me is the story by Christopher Bonanos for The New York Times, "The Man Who Inspired Steve Jobs". What a wonderful tale, which I hadn't heard before.

The Walking Dead Returns

Apparently, it's going to be good, which is a relief. After the news that the showrunner was leaving and other bits of problems on-set, I was worried that it wouldn't follow up on its great start.

iPhone Screen Size

I have some friends who think Apple made a mistake in not updating the iPhone's form factor this revision, to increase its screen's size. I disagree, and the usual suspects who blog about Apple said a couple things on the subject I completely agree with.

Marco Arment is up first:

As a four-year iPhone user, I’ve never thought, "You know what I don’t like about this phone? The screen’s too small. I’d like to reduce my battery life, and I’d like my phone to protrude from my pocket in a larger and more conspicuous rectangle, to achieve a larger screen that I cannot comfortably use one-handed. That would be completely worth it."

Amen, brother. If I want to work on a bigger screen, I've got an iPad or laptop. I want my phone to be my most portable device, with good battery life. There's a limit to how small I'd want to go, and I think the current iPhone form factor is pretty damn great.

Marco's article linked to one from John Gruber, who has another quote I think hits the nail on its proverbial head:

If you value tech specs over practical real-world battery life, if you would like to choose from a variety of screen sizes ranging from 3-4.5 inches, if you would prefer a thicker bulkier form factor to accomodate large LTE chips and a bigger battery to power said LTE chips, then the iPhone is not and never will be the phone for you. And, lucky for you, there’s another platform, Android, that offers you everything you want.

I think that's true, and I've made two distinct efforts to own an Android device, and both times came back to the iPhone. Not because the hardware was not up to snuff for the most part, but because the software wasn't as refined as iOS. And my last attempt was Google's then-flagship Nexus One and my iPhone was still the 3 GS.

So, yes, if a bigger screen is more important to you than the best OS, we will have to agree to disagree. There's more to life than stats and specs. In the meantime, I'm happy today that a new 64 GB iPhone 4 S is on its way, and I'm so looking forward to getting rid of my long-in-the-tooth 3 GS.

Steve Jobs 1955-2011

It's been a rough day in Cupertino, where I work. It started out with a gunman killing three people and hurting seven others (so far; he's still on the loose as I write this.) Then in the afternoon, word came that Steve Jobs died. I never did more than stand near the man, but I've been a fan of Apple and its products for many years. I hope he, and the others who were killed today, rest in peace.